Nature- and architecture photographers know how important light is for magnificent shots. If the sun is high in the sky, the contrasts are too hard and the light is too flat. Ideal times however are dusk and dawn. Depending on the point of time, the light then is soft or warm, emphasizing the structures and shaping the motive details.
Tamron lancerer to nye objektiver, begge er vejrbeskyttede og har billedstabilisering samt PZD AF-motor. Begge er megazoom-objektiver, 16-300mm og 28-300mm, og den førstnævnte er designet eksklusivt til APS-C-formatet, mens 28-300mm objektivet passer både fuldformat og APS-C.
Photographer Mike Fuchs has a foible for snow and ice. On April the man from Berlin started his next polar expedition. He carries the Tamron SP 24-70mm F/2,8, with him, which has proven itself as a reliable partner in extreme conditions.
Tamron is developing an advanced new all-in-one™ wide-angle to telephoto zoom lens for full-frame DSLR cameras.
The previous two articles of our series “Image Structure” have dealt with the view frame and the (empty) space in a picture. In conclusion, it now gets a little less theoretical. In this article we want to inspire you to intensively deal with two main aspects of photography: Shooting distance and perspective.