Distance and Perspective
The previous two articles of our series “Image Structure” have dealt with the view frame and the (empty) space in a picture. In conclusion, it now gets a little less theoretical. In this article we want to inspire you to intensively deal with two main aspects of photography: Shooting distance and perspective. Both have a great deal of influence on the effect of the picture. They are both also criminally neglected as a design medium by many photographers.
When you photograph something, often the distance to the motive determines how strongly the observer emotionally reacts to the picture. Robert Capa (1913-1954) photograph-reporter and
co-founder of the magnum agency has encapsulated it in his famous quote: “Wenndeine Bildernicht gut genugsind, warst du nicht nah genugdran.” (If your pictures are not good enough, you were not close enough).
Proximity arouses emotions
He's absolutely right. If the photographer is too far away, the photographed motive is too small on the picture. Even the most exciting motive will not fascinate anyone if it isn't viewed in proper size on the picture. Otherwise a naturally ordinary detail can suddenly arouse emotions, if it gets put in the picture from a close perspective.
There are two ways to accomplish a greater proximity
Zooming with the feet
Now it's your turn! Leave the camera aside for the moment and practice with a small picture frame (e.g. an empty slide frame). Take the frame to your motive and try to compose an attractive picture.
Hold the frame closer to your eye to achieve a wide-angle effect, and further away to simulate the tight field of view of a telephoto lens. Don't avoid uncommon poses, you will soon get used to the strange glances from other people.
Concentrate completely on “seeing the motive”. That is very important, because this is the only way to train your photographer eye. Don't put the camera in front of your eye until you have found your perspective – and with that your viewpoint as a photographer. With the lens and the according focal distance, you now can work out the desired field of view.
Get yourself into the change of perspective! You are going to be surprised, how often you gain an unexpected and interesting visual impression due to a new perspective and field of view.
Natalie Große specialises in pet portraits. Many of her fabulous photos are taken with the Tamron SP 70-200 f/2.8 DI VC [...]
Tamron introduces ultra-wide-angle zoom with Vibration Compensation. Compact, high-performance lens boasts the largest [...]